You are currently browsing the tag archive for the ‘Nabokov’ tag.

Having entertained, in the last post, the possibility of transformation into a bird, I pass on to an indisputable instance thereof, with scholarly commentary appended.

“Of a man whom nothing could put out of his way, or dérouter in the least,” Harriet Cavendish reports this anecdote to her mother, the Duchess of Devonshire, in 1804.

To try him one night Lord Somebody and a large party at a house in the country made him dead drunk, rubbed him all over with sirrup, rolled him in a feather bed and then hid themselves in his room to watch his recovery. When he woke he walked slowly up to the glass, and, upon beholding himself, quietly said—“A bird, by God,” and went and sat down again.

“I nearly expired when I heard it,” writes Harriet. (The Oxford Book of Humorous Prose, ed. Frank Muir.)

Read the rest of this entry »

The name “stream of consciousness” was devised by William James; the thing itself is no doubt as old as the conscious brain. How and when did it achieve literary representation? Vladimir Nabokov claims that this “method of expression … a kind of record of a character’s mind running on and on, switching from one image or idea to another without any comment or explanation on the part of the author,” was invented by Tolstoy for the occasion of Anna Karenina’s last afternoon. There the device is in “rudimentary form,” whereas James Joyce will advance it “to an extreme stage of objective record” (Lectures on Russian Literature). But do we regard it as essential that the artist present the stream as inward? There seems no good reason to, since however disorderly the phenomenon inadequately called a “stream” may be, its presentation has in any case the linearity of speech. Abandoning this requirement, we can easily discover the “record of a mind” before Tolstoy. Dickens has it in Nicholas Nickleby.